Tuesday, October 20, 2020

Reading around the World: The Middle East (1)

Several months ago I undertook a project to read a novel by a woman from every nation. I listed 197 nations plus Palestine. The idea was not mine but came from a friend, now deceased, who talked about it occasionally and how much she enjoyed hearing the voices of women from other parts of the world. After a while I was intrigued enough to draw up a spreadsheet and even posted it on my blog, but it came out almost unreadable. Instead of trying that again, I’ll talk occasionally about my recent reading here.

Over the years I’ve read a number of novels by women from other countries, mostly from South Asia, and have a strong library of their work. Even so, I wanted to begin with a blank spreadsheet and choose stories and novels that are mostly current among the readers of each country. That means writers who live and work in their native land. I’m less interested in ex-pats living in the United States because their audience in this country cannot be discounted as an influence on the creation of the story. Nevertheless, I’ve read several books by displaced writers working in English and found them satisfying and enlightening. 

 

Once I made the decision to focus on women writing and living in their country, when at all possible, the kind of literature I encountered deepened in terms of presenting a culture that required more thought on my part to enter and appreciate but the experience has been worth the effort. Certain western tropes didn’t appear, or at least not in the same way, and overall the fiction was much more enjoyable and interesting. Of course, anyone, myself included, must acknowledge that writing in English must influence the writer, and so, whenever possible, I looked for books originally written in the writer’s native tongue, assuming that wasn’t English or, in some cases, French or another European language. These requirements with exceptions have evolved so I’m not bogged down in a search for the “perfect representative” book. So, what have I read?

 

I’m working my way through the Middle East and North Africa, and I’ve posted reviews of several of the titles on Goodreads.

 

Chaos of the Senses by Ahlem Mosteghanemi (Algeria)

Chronicle of a Last Summer by Yasmine El Rashidi (Egypt)

To Keep the Sun Alive by Rabbeah Ghaffari (Iran)

All That I Want to Forget by Bothayna Al-Essa (Kuwait)

Wild Thorns by Sahar Khalifeh (Palestine)

Girls of Riyadh by Rajaa Alsanea (Saudi Arabia)

 

Two books that are probably better known in this country (USA) are not included. Both The Bastard of Istanbul by Elif Shafak (Turkey) and The Last Days of CafĂ© Leila by Donia Bijan (Iran) are interesting novels by women born in their respective countries but now living in the United States. Each novel tackles the circumstances for women but the stories are as much about life in the States as life in the old country. Immigrant women return to their family’s country of origin, linking two cultures and exploring unanswered questions. As interesting and rewarding as these novels are, they have the feel of being written by someone who is now an outsider with extensive knowledge of the country in question, with a shifting focus on the US and a now foreign land. For these and other reasons, I have chosen to focus on books written by authors residing for most of their lives in their native land. 

 

Next up is So Vast the Prison by Assia Djebar.

 

As I mentioned in a FB post, I’m always open to suggestions so if you have a book you think would suit this list, do let me know. This project is a long one and I’m not in any hurry to finish. I like the world tour and the women I’m keeping company with. 

 

 

 

 

 

 

 

Saturday, September 26, 2020

Another entry in my project, "Reading around the World in the Company of Women"






Chronicle of a Last Summer: 
A Novel of Egypt, by Yasmine El Rashidi 






The unnamed narrator is about eight years old in the opening chapter, set in Cairo in 1984. The daughter of a well-respected family living in a sprawling family home surrounded by relatives, she listens to the adults around her talk about the revolution, Nasser, and changes in the city. Her time is spent idyllically, and though she takes in all that she hears, she understands little. This is when her beloved father, Baba, disappears, with no one able to tell her when he’s coming back. She gets the idea he might be in Geneva. 

She’s a young university student in 1998, when life in Cairo is rapidly changing as it is in her own personal life. She still wonders where Baba is but she also wonders how to participate in the political change she and her cousin and uncle discuss. Devoted to a career in film making, she sees the world through maturing eyes, watching her mother drift, her family shrink, her questions remain unanswered. 

In the last summer, 2014, her Baba returns, but not to her and her mother. She and her mother now live alone in the big house, the other family members dead or gone. Bridging the gap of years and pain, she comes to understand her Baba and herself. Her mother emerges from years of solitude to be as much of a protestor as her daughter, fearless and forthright on the streets. 

In the years of the novel, Egypt is a kaleidoscope of political upheaval, oppression, uncertainty, corruption, and hope. Through Nasser, Sadat, Mubarak, Morsi, and Sisi, the narrator reaches adulthood and an understanding of where she stands in the family line, among those calling for revolution and those trying to patch together an honest life. The writing is crisp, clean, but not brisk, and even though the story moves well I found myself wishing for a faster pace, and then I considered this might be intentional, a pacing meant to reflect the character’s careful interaction with a dangerous world.

Wednesday, July 15, 2020

Around the World in the Company of Women

A few weeks ago, before the pandemic arrived and life had its predictable and even comfortable rhythms, I began a project I’d been thinking about for more than two years—reading a work of fiction written by a woman from every country. That’s 197 books (plus Palestine). I’m not sure I can name even half of the nations now existing, but I recently learned that Massachusetts has welcomed new citizens from almost everyone. As isolated as we may feel right now, during the pandemic, this statistic reminds me of how linked we are to the rest of the world.

My list is limited to fiction, which means novels, short stories, and drama. I doubt I’ll be reading much in the last category but I’m leaving it open just in case something extraordinary comes along.

Once I began to think about the number of books I was going to read, I realized I had to set some parameters. The work has to be written by a woman of the country. This means the author should be someone living primarily in her native or adopted country; I’m not interested in a book about life in Algeria written by someone who has lived most of her life in the United States or Europe. The novel is fertile territory for cross-pollination, but living in a country brings a different perspective that can be gained in no other way. Discovering life lived on the inside through fiction was one of my goals.
                              
Again, the book could be written in any language including English, but since I can only read my native tongue with any fluency, the fiction would have to be available in English. This meant I could be reading a lot of works in translation, and appreciating the quality of a translation was probably going to be one of the side benefits of this.

The books could date from any era, though I suspected most would have been written and published in the last fifty years or so. In the last few decades, even before eBooks, POD books, and self-publishing came to play a near-dominant role, traditional publishing broadened the titles on the shelf to include more work by women, and definitely more work by non-white women. I looked forward to lots of choices, discovering new writers, but I also knew some of the best titles might be difficult to obtain.

Filling in the blanks for some countries seems easy until I realize I have to choose. I have a favorite writer from New Zealand, Ngaio Marsh, who wrote mysteries, and I face a long list of choices for Ireland and England. Some of these slots I’ve left blank while I work my way through other parts of the globe. Right now I’m working on the Middle East.

So far I’ve avoided the big question. Why? Maybe it doesn’t matter. Maybe any reason to read beyond my familiar landscape is a good idea, but you must wonder if there is a good reason to do this beyond curiosity. Curiosity, interest in another culture, is always rewarded in my view, and by itself is a good enough reason.

Take a look at the list below, and if you have any suggestions please let me know. When I sit down with a new book by a woman living in a country I’ve never visited and living in a culture I can only imagine, I feel an excitement, an anticipation that is often lacking when I pick up other books. Perhaps you will too.

x UnreadCountryAuthorTitle
Afghanistan
Albania
AlgeriaAhlem MosteghanemiChaos of the Senses
Andorra
Angola
Antiguq and Barbuda
Argentina
Armenia
Australia
Austria
Azerbaijan
The Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bhutan
Bolivia
Bosnia & HerzegovinaAsja BakicMars
Botswana
Brazil
Brunei
Bulgaria
Burkina Faso
Burundi
Cabo Verde
Cambodia
Cameroon
Canada
The Cayman Islands
Central African Republic
Chad
Chile
China
Colombia
Comoros
Congo, Dem. Rep. of
Congo, Rep. of
Costa Rica
Cote d'Ivoire
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican RepublicJulia AlvarezIn the Time of the Butterflies
Ecuador
xEgyptYasmine El RashidiChronicle of a Last Summer: A Novel of Egypt
El Salvador
England
Equitorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Germany
Fiji
Finland
France
Gabon
Gambia
Georgia
Germany
Ghana
Greece
Grenada
Guatemala
Guinea
Guinea-Bissau
Guyana
Haiti
Holy See
Honduras
Hungary
Iceland
IndiaNayantara SahgalMistaken Identity
Indonesia
IranRabeah GhaffariTo Keep the Sun Alive
Iraq
IrelandElizabeth BowenThe Last September
Israel
Italy
Jamaica
JapanRiku OndaThe Aosawa Murders
Jordan
Kazakhstan
Kenya
Serbia
Kiribati
Korea (north)
Korea (south)
Kosovo
KuwaitBothayna Al-EssaAll That I Want to Forget
Krygyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Mdagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Morocco
Mozambique
Namibia
Nauru
Nepal
Netherlands
New ZealandNgaio MarshDeath and the Dancing Footman
Nicaragua
Niger
Nigeria
Norway
Oman
Pakistan
Palau
xPalestineSahar KhalifehWild Thorns
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Poland
Portugal
Qatar
Republic of Korea
Romania
Russia
Rwanda
Saint Kitts and Nevis
Saint Lucia
Saint Vincent and the Grenadines
Samoa
SanMarino
SaoTome and Principe
Saudi ArabiaRajaa AlsaneaGirls of Riyadh
Scotland
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Solomon Islands
Somalia
South Africa
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tonga
Trinidad and Tobago
Tunisia
xTurkeyElif ShafakThe Bastard of Istanbul
Turkmenistan
Tuvalu
Uganda
Ukraine
United States
Uruguay
Uzbekistan
Vanuatu
Venezuela
Vietnam
Wales
Yemen
Zambia
Zimbabwe