Writers share lots of practices and habits without thinking they have anything in common with each other. As practitioners of a solitary profession, we tend to think we’re entirely on our own. But we do share practices that help us develop and complete our work.
I’m a strong advocate of writing a fairly complete rough draft, working on that until it is nearly polished, and then setting it aside for one to three months, depending on the length of the work (a short story or novel, for example). I leave myself enough time to become “unfamiliar” with the work so that when I return to it I will read something with a fresh perspective, discover ideas I didn’t know I was including and characters who surprised me, and I will notice where the writing gets mushy and the story line is rushed. I will see the flaws, and I hope the occasional successful passage.
But what will I do during this waiting period? Sometimes I like to alternate between an Anita Ray story and a Joe Silva mystery. I could start another writing project, perhaps another novel, but that might interfere with my ability to return to the original mss, the one that is settling and aging nicely on the corner of my desk. I could work on book reviews or short blog posts, but I do that anyway throughout the week. I could begin another short story, something that won’t take the entire waiting time but enough of it. Or I could resurrect an earlier story started and abandoned.
This time around I’m resurrecting a forgotten Anita Ray short story, one that I abandoned and forgot about. As I read it over I can see where I went wrong—three terrific murder suspects but no murder. Instead I originally wanted to concentrate on a different sort of crime, something akin to espionage, but that meant the story would meander for a while and lose its coherence. Perhaps the idea is better suited to a novel or novella rather than a short story. But now I want to use the setting and characters and set-up for a story, so I have begun reworking it. As I trim dialogue, insert a murder scene, and recast one or two characters, I find I have a much better, tighter story.
The story has been sitting forgotten for over two years, but the lovely thing about computers is that it’s still there, easily accessible and readable. I’ve been working on this story for a week now, rethinking and rewriting. Meanwhile, my unconscious has been sending me snippets of dialogue to incorporate into the “resting” novel when I return to it, and problems I had left unsolved or solved awkwardly now seem to have ready and elegant solutions.
The period of “resting” a story or novel is also a different way of working on them. By the end of the month I’ll have a reworked and nearly finished Anita Ray short story and be several steps ahead in completing the novel I set aside a few weeks ago.
John Gardner, author of The Art of Fiction and other books on writing as well as several novels, once commented that novelists can be slow thinkers, slow to come to solutions, by which he meant writers should be willing to wait for the right solution to come along rather than jumping at the first idea they have. Don’t grab the first idea, the first twist. Let the story rest and see what rises to the surface over time. After a period of time away from the work, I find it easier to see what needs to be reworked and where I can strengthen the story.